It is really hard to force yourself to make hundreds of tiny dots on a page using a technical pen when you're going off of only a few hours of sleep.
The tiny dots aside, this page felt like it took forever to finish. The problem was trying to make the pose look right, which I still didn't really do, but at least I like how it looks. I probably should have roughed it out a lot more thoroughly in the storyboard first.
Showing posts with label Shading. Show all posts
Showing posts with label Shading. Show all posts
Saturday, August 18, 2012
Thursday, August 16, 2012
Closing In On the End
Well, another page is done and I am feeling pretty good about things.
I think I am going to have to invest in some more technical pens at some point as I am finding that I really like using my Rapido Sketch for smaller details and shading and it definitely allows me to achieve a level of detail that wouldn't be possible with the artist markers alone.
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I am amazed that the perspective (though not correct) came off as well as it did. Also some dry brush technique on display there which I think ended up being quite effective. |
Monday, August 13, 2012
Drawing Doors
I found myself having to draw a lot of doors on the last two pages that I finished.
My answer to the question of how to make doors look interesting tends to be: draw some faces on them.
Also, I got to draw a mohawk!
I am liking how things look using the Rapido Sketch to do the details and shading on things, so I will probably continue doing that. We're up to 22 pages now so things are moving along just fine. I also figured out a way to convert images to CMYK mode using GimpShop so I think I may take the time to do a color cover as well once the interior art is done.
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A door. |
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Above: a mohawk. Also pictured: a door which is in no way consistent with the door on the other side which I drew on the previous page. |
Also, I got to draw a mohawk!
I am liking how things look using the Rapido Sketch to do the details and shading on things, so I will probably continue doing that. We're up to 22 pages now so things are moving along just fine. I also figured out a way to convert images to CMYK mode using GimpShop so I think I may take the time to do a color cover as well once the interior art is done.
Labels:
Art,
Comics,
Comix,
Delirium,
Fantasy,
GIMP,
GimpShop,
Inking,
Koh-I-Noor,
Rapido Sketch,
Shading,
Surreal,
Tower,
Zine
Tuesday, August 7, 2012
Some Thoughts on the Koh-I-Noor Rapido Sketch
So I’ve had a
couple of days to play around with my new Koh-I-Noor Rapido Sketch pen and I
thought I’d take a moment to discuss first impressions of the pen and what it’s
been like using it for inking.
![]() |
Also here's a new page. The pose is sadly pretty uninspired but I like it overall since I got to draw lots of weird little details. |
Background
The Rapido
Sketch is a technical pen similar to the Koh-I-Noor Rapidograph. There are a few characteristics that
distinguish the Rapido Sketch from the Rapidograph:
·
Price – this is a big one, as the Rapido Sketch
tends to be cheaper than the Rapidograph (although this is relative as both are
expensive pens)
-
Rapidograph:
retail price on these pens is around $35 each, although shopping around online
you can find them offered for as low as $25; there are also 7 pen sets which
can sell for anywhere between $75 to around $150 online.
-
Rapido
Sketch: retail price is $21.40, but looking around online you should be able to
find one for between $10 and $15.
·
Drawing Angle – this is probably the most
important difference because, as the name implies, the Rapido Sketch actually
allows you to hold the pen in your hand naturally while you draw with it, while
the Rapidograph requires more of a unique form.
-
Rapidograph
– I’ve never actually used a
Rapidograph, but the consensus online seems to be that when using it you have
to hold the pen at almost a 90 degree angle (straight up and down) from the
page in order to make the ink come out.
This is because it’s primarily a drafting tool rather than a drawing
tool.
-
Rapido
Sketch – this pen seems designed with artists in mind because you can hold it
at a natural angle for drawing and ink will come out.
·
Nib Sizes
-
Rapidograph
– there are 13 different nib sizes ranging from very fine to very broad.
-
Rapido
Sketch – there are a whopping 3 different nib sizes to choose from: .25 mm,
.35mm, and .5 mm.
·
Packaging
-
Rapidograph
– sold individually in blister packs, or sometimes sold in a plastic case which
contains the pen and a nib key (used for removing the part of the pen that
contains the nib for cleaning purposes).
In the 7 pen sets you get a bottle of Koh-I-Noor’s Rapidraw black India
ink as well as a nib key.
-
Rapido
Sketch – sold in a plastic case which comes with a bottle of Koh-I-Noor’s
Rapidraw black India ink
·
Appearance
-
Rapidograph
– the pens have a white plastic case with color coded caps to denote nib sizes. From an aesthetic standpoint, I personally
like the looks of the Rapidograph better than the Rapido Sketch.
-
Rapido
Sketch – the pens have a dark brown (or possibly oxblood) colored case with the
nib size written in white on the top of the cap.
Out of the Box
There’s not a
whole lot to be said about the pen right out of the packaging. Holding it in my hand, it felt solidly
constructed, if a bit plain to look at. Basically
it looked like a typical fountain pen.
For a lot of
people this is where their experience with technical pens starts and ends. The reason is because there’s a bit of
preparation involved before you can actually use the pen.
First you have
to fill the thing with ink, which involves taking apart the pen and filling the ink well. This isn’t necessarily hard,
but it’s a little confusing if you’ve never done it before and the packaging
does not include any instructions to help you with the process.
![]() |
A Rapido Sketch broken down into its component parts. |
Now that you’ve
got ink in the pen, you’ve got to get the ink flowing, and this is where things
get tricky. Basically, what you want to
do is hold the pen with the tip facing downwards and gently shake it up and
down. You should hear something that
sounds like a ball bearing moving back and forth inside of the pen while you do
this. If you’re not making any progress
with the shaking, you can put the cap on the pen and then gently tap the pen
against a tabletop. Eventually (maybe
after a few minutes) you’ll get some ink flowing when you press the pen to
paper, and then you’re ready to start using it.
Inking with the
Rapido Sketch
One of the
first things I noticed while using the pen is that it feels very scratchy
compared to a marker-like artist pen. In
fact the experience is very similar to using a crow quill for inking, but
without the fear that you’re going to leave a big black spot of ink if you
press too hard.
The next thing
I noticed is that the Rapido Sketch performs much better on certain types of
paper. On sketch paper for example, it’s
a real struggle to move the pen across the paper with any kind of fluidity as
it seems as if it’s catching on the fibers of the paper. On Bristol board with a vellum finish the pen
handles a lot more smoothly.
Browsing
different message boards, the consensus seems to be that both the Rapidograph
and the Rapido Sketch are intended to be used on paperboard, preferably
something with a slick finish (such as a smooth finish on Bristol board). Using the pen on other types of paper also carries
with it the risk that paper fibers will get caught up in the pen’s tip,
eventually clogging it and rendering it useless.
In terms of
how the Rapido Sketch handles versus the Pitt Artist pens that I’ve been using…honestly,
there’s not a huge world of difference in terms of the final product. Based on my limited experience so far, I
would say the artist pens are better suited to inking figures and larger
shapes, while the Rapido Sketch is more suited to inking finer details, such as
details of the face, certain types of textures, stippling (pointillist style),
and obviously machinery and other man-made structures (makes sense given that
it’s still a drafting tool at the end of the day).
The other
thing is that, when I am inking with artist pens, I tend to trace a line first,
then go back and trace them a second time, thickening them in certain places to
try and add more line variety. With the
Rapido Sketch, it’s difficult to ink that way because 1) the lines are really
thin and 2) you can get a bit of build up of ink in areas you’re retracing
which can get smeared or otherwise make a mess.
One thing to keep in mind about that
assessment is that I am using the .25 Rapido Sketch, which is the smallest size
available, limiting its usefulness as a general purpose pen. The .35 and the .50 nibs on the Rapido Sketch
would probably have a bit more utility in terms of general inking duties.
All that being
said, I really like the Rapido Sketch and I find it really useful as a fine
detail pen. I really like how it
performs when I have to ink small details on faces like eyes, noses and
mouths. I also really like how textures
come out when I am using the Rapido Sketch to fill in details.
Cleaning
Cleaning the pen isn't really that bad and at some point you're going to have to clean it. If you're using it every day and it has ink in it then the pen can sit for a week or two between cleanings, but if you're using it more sporadically then the pen needs to be cleaned after each use.
The process involved isn't too bad really. Just take apart the pen, run the pieces under warm water then dump the pieces into a mixture of warm water and soap and let them sit for about 15 minutes.
The only thing that proves a bit of a challenge is getting the nib clean. In the photo of the disassembled pen above you'll notice that there's a little casing which fits around the nib. Well, normally with a Rapidograph you get a little tool called a nib key which lets you unscrew the nib from that casing so you can clean it. With the Rapido Sketch, the nib key isn't included, so you have to find a different way to take it apart. I've been using the pliers on a multi-tool I have lying around to do it.
Closing Thoughts
Cleaning
Cleaning the pen isn't really that bad and at some point you're going to have to clean it. If you're using it every day and it has ink in it then the pen can sit for a week or two between cleanings, but if you're using it more sporadically then the pen needs to be cleaned after each use.
The process involved isn't too bad really. Just take apart the pen, run the pieces under warm water then dump the pieces into a mixture of warm water and soap and let them sit for about 15 minutes.
The only thing that proves a bit of a challenge is getting the nib clean. In the photo of the disassembled pen above you'll notice that there's a little casing which fits around the nib. Well, normally with a Rapidograph you get a little tool called a nib key which lets you unscrew the nib from that casing so you can clean it. With the Rapido Sketch, the nib key isn't included, so you have to find a different way to take it apart. I've been using the pliers on a multi-tool I have lying around to do it.
Closing Thoughts
If you’re on
the fence about using technical pens, the Rapido Sketch probably isn’t a bad
way to get your feet wet. Compared to a
Rapidograph or other technical pen, the initial investment is relatively low
and you’re getting a pen with a little more versatility. However, unless you are only going to use the
pen for doing very fine detail work, you might consider getting either the .35
or .5 size as the .25 is really limited in how it can be used.
In other news, I’ve
scrapped the Ruins storyline from the book because I hated how it was turning
out. Current page count is 19.
Labels:
Art,
Comics,
Comix,
Delirium,
Fantasy,
Inking,
Koh-I-Noor,
Rapido Sketch,
Shading,
Textures
Tuesday, July 31, 2012
Fun with Textures
Here's a panel from another short strip I'm working on at the moment, tentatively titled "Ruins."
We're up to 18 pages now, so we're past the halfway point for issue 1. I have also reached the point where I am looking back on the first pages I drew and hating them. But, that's a normal part of the creative process; everything looks terrible when it's only half finished.
![]() |
It probably doesn't look like it, but that shading too damn near forever. |
We're up to 18 pages now, so we're past the halfway point for issue 1. I have also reached the point where I am looking back on the first pages I drew and hating them. But, that's a normal part of the creative process; everything looks terrible when it's only half finished.
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